Resident Evil Soundtrack of Netflix Series (2022)
Resident Evil Netflix series soundtrack list, complete songs list episode by episode with time codes. Spotify and Youtube playlist ost.
Resident Evil biohazard Soundtrack
Episode 1
- Best Frenz, Joywave & Jason Suwito
- Billie Eilish – Oxytocin
- Two Feet -Devil
Episode 2
- X Ambassadors – Beautiful Liar
- Sex Pistols – Bodies
- Halsey – The Tradition
Episode 3
- Mazzy Star – Into Dust
- TBA – Human
Episode 4
- Aespa – Next Level
- Dua Lipa – Don’t Start Now
- Jamiroquai – Feels Just Like It Should
- Conan Gray – Maniac
- Reuben and the Dark – Out of My Mind
Episode 5
- BROODS – Pieces of My Mind
- Ludwig van Beethoven – Moonlight Sonata
Episode 6
- YONAKA – Get Out
- Ludwig van Beethoven – Symphony No. 5
Episode 7
- Jagged Edge – Where The Party At
- Skylar Grey – My Heart Has Teeth
Episode 8
- Billie Eilish – When I Was Older
Resident Evil Soundtrack by Gregory Reveret
Sea of Zeroes – Gregory Reveret
Plague from God – Gregory Reveret
The Doberman – Gregory Reveret
What is Happening – Gregory Reveret
Evelyn’s Plan – Gregory Reveret
Lab Search – Gregory Reveret
My Son is Dead – Gregory Reveret
Venus Flytrap (Main Theme) – Gregory Reveret
Meet Bert – Gregory Reveret
Humvee Chase – Gregory Reveret
Don’t Eat Cats – Gregory Reveret
Home Safe – Gregory Reveret
Lickers Attack – Gregory Reveret
Final Battle – Gregory Reveret
My Heart Has Teeth – deadmau5 feat. Skylar Grey
Year 2036 – 14 years after a deadly virus caused a global apocalypse, Jade Wesker fights for survival in a world overrun by the blood-thirsty infected and insane creatures. In this absolute carnage, Jade is haunted by her past in New Raccoon City, by her father’s chilling connections to the Umbrella Corporation but mostly by what happened to her sister, Billie.
Residen Evil soundtrack chapters
Time | |
00:00:44 – 00:00:46 | [loud clang] |
00:00:47 – 00:00:49 | [groaning] |
00:00:49 – 00:00:51 | [coughing] |
00:00:51 – 00:00:54 | [Zeros grumbling] |
00:00:54 – 00:00:56 | [inhales, coughing] |
00:01:00 – 00:01:03 | [sniffing, snarling] |
00:01:05 – 00:01:07 | [panting] |
00:01:07 – 00:01:09 | [tense music] |
00:01:10 – 00:01:12 | [panicked grunt] |
00:01:12 – 00:01:14 | [aggressive snarling] |
00:01:15 – 00:01:17 | -Keep her alive. -[gunfire] |
00:01:17 – 00:01:20 | [growling] |
00:01:20 – 00:01:22 | [gunfire continues] |
00:01:25 – 00:01:27 | [panting, grunting] |
00:01:31 – 00:01:33 | [gasps] |
00:01:34 – 00:01:36 | [Baxter] Yo, Jade! |
00:01:36 – 00:01:39 | We stop shooting, you’re dead. |
00:01:39 – 00:01:41 | So how about you just come with us, huh? |
00:01:42 – 00:01:43 | Come on. |
00:01:43 – 00:01:46 | Sometimes, it’s better to eff the devil, you know, right? |
00:01:46 – 00:01:48 | [Zeros snarling] |
00:01:49 – 00:01:50 | [vehicle approaching] |
00:01:50 – 00:01:51 | [gasps] |
00:01:52 – 00:01:53 | [loud clank] |
00:01:59 – 00:02:02 | [tense music] |
00:02:05 – 00:02:07 | -[grunts] -[thwacks] |
00:02:12 – 00:02:13 | [engine revs] |
00:02:17 – 00:02:18 | [Jade] Stop! Please! |
00:02:19 – 00:02:21 | [all snarling] |
00:02:23 – 00:02:26 | [tense music] |
00:02:26 – 00:02:27 | [grunts, thumps] |
00:02:33 – 00:02:34 | -[knocking loudly] -[Jade] Drive! |
00:02:35 – 00:02:36 | [yelling in fear] |
00:02:38 – 00:02:41 | [Zeros roaring] |
00:02:45 – 00:02:47 | [gunfire] |
00:02:49 – 00:02:50 | [loud clonking] |
00:02:54 – 00:02:56 | [engine roars] |
00:02:56 – 00:02:59 | [rapid gunfire] |
00:03:06 – 00:03:09 | [trilling] |
00:03:13 – 00:03:14 | [security alarm wailing] |
00:03:16 – 00:03:19 | [panting and crying] |
00:03:24 – 00:03:26 | [crying continues] |
00:03:26 – 00:03:30 | -[gasps] -Hey! Hey! |
00:03:30 – 00:03:33 | Are you okay? Hey! Are you okay? |
00:03:33 – 00:03:35 | Are you okay? [young Jade cries] |
00:03:37 – 00:03:38 | Are you okay? |
00:03:38 – 00:03:40 | -[young Billie] I’m okay. -Are you… |
00:03:41 – 00:03:42 | I don’t think I’m a dog person anymore. |
00:03:42 – 00:03:45 | -Well, that’s okay. -[both laughing] |
00:03:45 – 00:03:46 | It’s okay. |
00:03:46 – 00:03:48 | [whimpers] Ow! |
00:03:48 – 00:03:49 | You need a doctor, okay? |
00:03:50 – 00:03:51 | -Okay. -Okay. |
00:03:51 – 00:03:53 | Now I’m gonna get… |
00:03:53 – 00:03:55 | It might hurt a little bit. Okay, ready? |
00:03:55 – 00:03:57 | -Careful. -One, two, three. |
00:03:57 – 00:03:59 | -[groaning] -Okay. |
00:03:59 – 00:04:01 | I need… I need help. |
00:04:01 – 00:04:03 | I know. And we’re gonna get you help. |
00:04:03 – 00:04:06 | [suspenseful music] |
00:04:08 – 00:04:11 | [sirens wailing] |
00:04:15 – 00:04:17 | [both panting] |
00:04:17 – 00:04:18 | It’s okay. |
00:04:18 – 00:04:21 | [both breathing heavily] |
00:04:25 – 00:04:28 | -[flesh rips] -I’m sorry. I… |
00:04:30 – 00:04:32 | [young Jade] It’s gonna be all right. |
00:04:32 – 00:04:35 | -[door opens] -[both gasp] |
00:04:36 – 00:04:37 | Dad. |
00:04:37 – 00:04:38 | [Albert] Did the dog bite her? |
00:04:38 – 00:04:40 | Yeah. |
00:04:41 – 00:04:42 | Jesus. |
00:04:45 – 00:04:46 | [flashlight clicks off, clacks] |
00:04:49 – 00:04:53 | -Is she, is she gonna be okay? -Billie, look at me. Look at me. |
00:04:56 – 00:04:57 | She’s in shock. |
00:05:01 – 00:05:02 | Hey, Bill? |
00:05:03 – 00:05:05 | -[grunts] -[pen clacks] |
00:05:05 – 00:05:07 | -[young Billie breathing in panic] -[rips] |
00:05:07 – 00:05:09 | [breathing heavily] |
00:05:10 – 00:05:12 | You’re going to have to take her home. |
00:05:12 – 00:05:14 | -What? -Keep pressure on the wound. |
00:05:14 – 00:05:16 | Her vitals are fine. No major arteries were hit. |
00:05:16 – 00:05:17 | Are you fucking… |
00:05:18 – 00:05:19 | She needs a hospital. |
00:05:19 – 00:05:21 | Just go before Umbrella sees you. |
00:05:23 – 00:05:24 | Okay. |
00:05:24 – 00:05:26 | No. Not okay. |
00:05:26 – 00:05:29 | At the end of the hall, the door is open. Cut through the backfield. |
00:05:29 – 00:05:31 | -But why? -Now! |
00:05:32 – 00:05:33 | Jade. |
00:05:34 – 00:05:36 | Okay, okay. |
00:05:36 – 00:05:38 | -Jade. -Come on. |
00:05:39 – 00:05:41 | Come on, come on. |
00:05:41 – 00:05:42 | That’s it. |
00:05:42 – 00:05:45 | [alarm sirens wailing] |
00:05:45 – 00:05:47 | [sobbing] |
00:05:49 – 00:05:52 | [breathes deeply] |
00:05:56 – 00:05:57 | [clicks] |
00:05:59 – 00:06:02 | [digital trilling] |
00:06:02 – 00:06:05 | [suspenseful music] |
00:06:13 – 00:06:14 | [clicks] |
00:06:17 – 00:06:19 | [sharp exhale] |
00:06:27 – 00:06:29 | [suspenseful music continues] |
00:06:34 – 00:06:37 | [thrilling music] |
00:06:38 – 00:06:40 | [engine rumbling] |
00:06:48 – 00:06:49 | Stop! |
00:06:49 – 00:06:52 | -[loud thumping] -[Jade grunting] |
00:06:54 – 00:06:55 | Hey! |
00:06:57 – 00:06:59 | [swishes] |
00:06:59 – 00:07:01 | No. Wait, wait! Stop! |
00:07:01 – 00:07:03 | [Jade] Wait! Wait! No! |
00:07:03 – 00:07:07 | Stop! Stop! Stop! Please! |
00:07:07 – 00:07:08 | Please! Stop! |
00:07:09 – 00:07:09 | [tires screech] |
00:07:13 – 00:07:16 | [panting] |
00:07:16 – 00:07:18 | [whooshes] |
00:07:23 – 00:07:25 | -[Jade exhales] -[Yen] Move! |
00:07:25 – 00:07:27 | -Move! -[Jade] Oh, my God. |
00:07:27 – 00:07:29 | [Yen] I got you out of there. Now get the fuck away from me! |
00:07:29 – 00:07:31 | Umbrella’s after you. |
00:07:31 – 00:07:34 | You got a big fucking target on your back, and I don’t want one on mine. |
00:07:34 – 00:07:35 | It’s too late. |
00:07:35 – 00:07:37 | What, you think they’re just gonna let you go? |
00:07:37 – 00:07:39 | Run off and tell people that… |
00:07:39 – 00:07:40 | That they shot up a freehold? |
00:07:41 – 00:07:42 | [Jade] No chance. |
00:07:43 – 00:07:44 | They will hunt you down. |
00:07:45 – 00:07:48 | But I can help you. Okay? |
00:07:48 – 00:07:50 | I can get you away from Umbrella. I save you, you save me. |
00:07:50 – 00:07:52 | [panting] |
00:07:55 – 00:07:56 | Okay, good. |
00:07:57 – 00:07:58 | -[loud thud] -[both gasp] |
00:07:58 – 00:08:00 | -[gasps] -[bones crackle] |
00:08:00 – 00:08:03 | [tense music] |
00:08:03 – 00:08:05 | [snarling] |
00:08:05 – 00:08:06 | [gunshot] |
00:08:06 – 00:08:07 | [grunts] |
00:08:08 – 00:08:10 | -[panting] -[footsteps approaching rapidly] |
00:08:10 – 00:08:11 | [Zeros grunting] |
00:08:11 – 00:08:13 | [panicked groaning] |
00:08:14 – 00:08:17 | -[grunts, screams] -[blood splatters] |
00:08:18 – 00:08:20 | [Yen] No. |
00:08:21 – 00:08:23 | No! |
00:08:23 – 00:08:25 | [tense music] |
00:08:27 – 00:08:28 | Grab my hand! |
00:08:28 – 00:08:29 | [Jade] Grab on! |
00:08:31 – 00:08:33 | [effort grunting] |
00:08:33 – 00:08:34 | [panicked scream] |
00:08:35 – 00:08:37 | -[Yen screaming in pain] -[Zeros gnawing] |
00:08:42 – 00:08:44 | -[thumping] -[flesh ripping] |
00:08:45 – 00:08:46 | -[grunts] -[glass shatters] |
00:08:49 – 00:08:50 | [engine starts] |
00:08:53 – 00:08:55 | [engine revs] |
00:08:55 – 00:08:57 | [tense music continues] |
00:09:00 – 00:09:03 | -[tires screeching] -[sirens wailing] |
00:09:09 – 00:09:10 | [cop 1] Move! Move, move, move! |
00:09:10 – 00:09:13 | -[cop 2] Coming. -[cop 3] I need a probe, searching team. |
00:09:13 – 00:09:14 | [cop 4] Go out through the back door. |
00:09:15 – 00:09:17 | [suspenseful music] |
00:09:19 – 00:09:21 | -[cop 1] Right there. -[cop 2] Contact, forward. In the back. |
00:09:21 – 00:09:22 | [cop 3] Contact! |
00:09:22 – 00:09:24 | [cop 4] We see your hands! |
00:09:24 – 00:09:25 | [cop 5] Don’t move! |
00:09:26 – 00:09:28 | My, my name’s Albert Wesker. I work here. |
00:09:29 – 00:09:30 | There’s been an incident. |
00:09:31 – 00:09:33 | [door closes] |
00:09:33 – 00:09:34 | [young Jade] We should have waited for an ambulance. |
00:09:34 – 00:09:36 | -[young Billie] No. Dad… -[young Jade] Dad… |
00:09:36 – 00:09:39 | -[young Billie] Dad said… -Fuck Dad. |
00:09:40 – 00:09:42 | What do you think was wrong with that dog? |
00:09:42 – 00:09:43 | [young Billie] I don’t know. |
00:09:43 – 00:09:46 | -It looked dead. -[young Jade] Yeah, well… |
00:09:46 – 00:09:48 | You looked dead too, Billie. I thought… |
00:09:50 – 00:09:52 | [somber music] |
00:09:52 – 00:09:54 | I should have stopped you from going. |
00:09:54 – 00:09:56 | -[sharp inhale] -What? |
00:09:56 – 00:09:57 | [grunts] It just hurts. |
00:09:58 – 00:09:59 | [soft ringing] |
00:09:59 – 00:10:01 | Where is Dad? |
00:10:01 – 00:10:03 | [metal clangs] |
00:10:08 – 00:10:10 | One minute, things were fine, and the next… |
00:10:11 – 00:10:13 | every screen in the place went red and all hell broke loose. |
00:10:13 – 00:10:15 | [metal clonks] |
00:10:15 – 00:10:16 | [Evelyn] Marcus. |
00:10:17 – 00:10:20 | Evelyn Marcus. I run this fucking company. |
00:10:20 – 00:10:22 | -[guard] Ma’am, without a badge, I– -Move! |
00:10:25 – 00:10:26 | Clear the room. |
00:10:26 – 00:10:27 | [clanks] |
00:10:30 – 00:10:32 | Evelyn? |
00:10:33 – 00:10:34 | How bad is it? |
00:10:35 – 00:10:37 | I wasn’t bitten. It’s not my blood. |
00:10:39 – 00:10:40 | Fire that guard. |
00:10:40 – 00:10:41 | He’s new. |
00:10:43 – 00:10:44 | [Roth] He’s gone. |
00:10:45 – 00:10:47 | [pensive music] |
00:10:48 – 00:10:49 | What happened? |
00:10:50 – 00:10:51 | We got hacked. |
00:10:52 – 00:10:55 | I was working late when the whole system went down and the virus… |
00:10:55 – 00:10:57 | It must have overridden our security. |
00:10:57 – 00:10:59 | The cage unlocked, the dog got out. |
00:11:04 – 00:11:07 | Whoever did this wiped every hard drive on campus. |
00:11:08 – 00:11:11 | Research, security cameras, everything. |
00:11:13 – 00:11:15 | We have backups of the research. |
00:11:15 – 00:11:16 | Still a pain in my ass. |
00:11:16 – 00:11:19 | An attack like this, usually, it’s ransomware, |
00:11:19 – 00:11:21 | but this was just burn it all down. |
00:11:22 – 00:11:23 | Why? |
00:11:25 – 00:11:26 | I thought you were in Tokyo now. |
00:11:27 – 00:11:28 | I split time. |
00:11:28 – 00:11:31 | When I got the call, I was already on my way here. |
00:11:31 – 00:11:32 | Thanks to you. |
00:11:32 – 00:11:33 | Joy? |
00:11:35 – 00:11:36 | [sighs] |
00:11:36 – 00:11:39 | I’m right about this, Evelyn. The drug has side effects. |
00:11:39 – 00:11:41 | -Minor side effects. -[Albert] “Minor”? |
00:11:41 – 00:11:43 | Did you see the fucking monster in the lobby? |
00:11:43 – 00:11:46 | So we fix it. We make it better. |
00:11:50 – 00:11:54 | What happened in Tijuana, we’re taking it seriously. |
00:11:55 – 00:11:58 | That’s why I’m moving the Joy production line here, |
00:11:58 – 00:11:59 | so I can keep an eye on it. |
00:11:59 – 00:12:01 | And, you know, tax breaks. |
00:12:02 – 00:12:03 | Al… |
00:12:04 – 00:12:05 | [sucks teeth] |
00:12:05 – 00:12:06 | You and me. |
00:12:08 – 00:12:09 | We’re gonna drive this one home. |
00:12:11 – 00:12:12 | Just like the old days. |
00:12:14 – 00:12:15 | I’m tired. |
00:12:17 – 00:12:19 | Can we talk about this tomorrow? |
00:12:22 – 00:12:23 | Sure. |
00:12:28 – 00:12:30 | -[footsteps receding] -[sighs] |
00:12:31 – 00:12:33 | [chimes] |
00:12:36 – 00:12:38 | Ev! Oh, thank God. |
00:12:38 – 00:12:39 | What are you doing here? |
00:12:39 – 00:12:41 | I heard the sirens, and you weren’t answering your phone. |
00:12:42 – 00:12:43 | [sighs] |
00:12:44 – 00:12:48 | Diana, this is Albert Wesker, one of my scientists. |
00:12:49 – 00:12:52 | Albert, my wife, Diana. |
00:12:52 – 00:12:53 | What happened? Was there a break-in? |
00:12:54 – 00:12:55 | It’s being handled. |
00:12:56 – 00:12:57 | What does that mean? |
00:13:00 – 00:13:02 | -Diana, you know I can’t talk about work– -No. |
00:13:03 – 00:13:05 | I’m not one of your employees. |
00:13:06 – 00:13:07 | You’ve been gone for weeks, |
00:13:07 – 00:13:09 | and I have to hear from your assistant that you’re back. |
00:13:10 – 00:13:12 | [Diana] You drag us around the world for this job. |
00:13:13 – 00:13:14 | Then we might as well leave. |
00:13:15 – 00:13:18 | -You don’t care. -No, Diana. |
00:13:25 – 00:13:26 | I should go. |
00:13:31 – 00:13:32 | [footsteps receding] |
00:13:33 – 00:13:34 | Al? |
00:13:39 – 00:13:41 | Say hi to the girls for me. |
00:13:41 – 00:13:44 | [unnerving music] |
00:13:50 – 00:13:52 | -[sharp inhale, groans] -[young Jade] What? |
00:13:54 – 00:13:57 | -Billie? Billie? -[door opens] |
00:14:00 – 00:14:02 | -Where were you? -[light switch clicks] |
00:14:03 – 00:14:04 | She needs stitches. |
00:14:06 – 00:14:09 | [paced breathing] |
00:14:09 – 00:14:10 | [groans] |
00:14:11 – 00:14:14 | The bite’s deep. There’s not much bleeding. |
00:14:14 – 00:14:15 | Get me the first aid kit. |
00:14:19 – 00:14:20 | What bit me? |
00:14:20 – 00:14:22 | A dog. |
00:14:22 – 00:14:24 | It had a rare genetic disease. I was trying to help it. |
00:14:25 – 00:14:26 | [young Billie] It was sick. |
00:14:26 – 00:14:28 | Am I gonna get sick? |
00:14:28 – 00:14:30 | -I don’t think so. -You don’t think so? |
00:14:30 – 00:14:31 | Will I have to quarantine? |
00:14:31 – 00:14:33 | No, it’s not like Covid. |
00:14:36 – 00:14:37 | Why were you even there? |
00:14:37 – 00:14:39 | [dramatic music] |
00:14:42 – 00:14:45 | Let me guess. This was your idea? |
00:14:46 – 00:14:48 | No, no. It was mine. |
00:14:52 – 00:14:55 | I saw some rabbits in cages when I was at your office. |
00:14:56 – 00:14:58 | I just… |
00:14:58 – 00:15:00 | [young Billie] I thought Umbrella was doing testing. |
00:15:00 – 00:15:02 | We’re not. |
00:15:02 – 00:15:03 | We’re just trying to cure… [sighs] |
00:15:03 – 00:15:04 | It doesn’t matter. |
00:15:06 – 00:15:08 | If I hadn’t woken up and realized you were gone, |
00:15:08 – 00:15:09 | that you’d taken my keycard… |
00:15:10 – 00:15:11 | [Albert sighs deeply] |
00:15:11 – 00:15:13 | You can’t tell anyone. |
00:15:14 – 00:15:16 | Why? What would happen? |
00:15:17 – 00:15:19 | [young Jade] And why can’t we take Billie to the hospital? |
00:15:20 – 00:15:23 | -If Umbrella knew you were there– -What, you’d get fired? |
00:15:23 – 00:15:25 | -We’d be arrested. All of us. -What, for trespassing? |
00:15:25 – 00:15:27 | And breaking and entering and destruction of property. |
00:15:28 – 00:15:29 | [breathes deeply] |
00:15:29 – 00:15:31 | Look, some of the things in that building are classified, |
00:15:31 – 00:15:33 | government projects. |
00:15:33 – 00:15:35 | Umbrella can… [exasperated sigh] |
00:15:36 – 00:15:38 | We’d never see each other again. |
00:15:39 – 00:15:43 | Right now, I can fix this, but it stays between us. |
00:15:46 – 00:15:47 | I need you to say it. |
00:15:51 – 00:15:52 | I promise. |
00:15:54 – 00:15:55 | Okay. |
00:15:56 – 00:15:58 | [dramatic music] |